Legends That Every Child Should Know
A Sharper's Downfall
The Man in the Iron Mask
Philip Rollo, Vol. II (of 2)
Inside the Russian Revolution
The King's Own Borderers: A Military Romance, Volume 2 (of 3)
The Cost of Crime and the Pursuit of Justice
In detective fiction, criminals often believe they can outwit the law, conceal their actions, and escape the consequences of their choices.Paying the PricebyNicholas Carterbuilds its suspense around this very idea. The novel follows the famous detective Nick Carter as he investigates a complex case in which secrets, deception, and personal motives intertwine. As the mystery unfolds, the title serves as a reminder that actions eventually carry consequences, no matter how carefully they are hidden.
Combining mystery, action, and deduction, the story offers readers the kind of fast-paced adventure that made the Nick Carter series a lasting success.
Why the Case Matters
Unlike ordinary crimes that can be solved through a single clue, the mystery at the center of this novel develops through a chain of discoveries. Every answer seems to reveal a new question, and every suspect appears to be hiding something. The investigation becomes a test of patience, intelligence, and persistence.
For Nick Carter, solving the puzzle is not merely about identifying a criminal. It is about uncovering the truth behind a web of misleading appearances and conflicting evidence.
Characters
Nick Carter:The celebrated detective whose keen observation and logical reasoning guide the investigation.Patsy Garvan:Carter's dependable assistant, helping gather information and pursue important leads.Chick Carter:A trusted ally who contributes to the detective's efforts throughout the case.The Suspects:Individuals whose motives, secrets, and actions complicate the search for answers.Witnesses and Victims:People whose experiences provide crucial clues to the mystery.
The Investigation as a Puzzle
The appeal of the novel lies in its gradual revelation of facts. Carter must sort through false leads, examine evidence, and determine which details are important. Readers are encouraged to follow the clues and test their own theories as the mystery progresses.
This puzzle-solving aspect creates a sense of involvement that keeps the story engaging from beginning to end.
Key Ideas Explored in the Story
Consequences:Wrongdoing ultimately demands accountability.
Truth:Hidden facts can remain concealed for a time, but not forever.
Justice:The investigation seeks to restore order by exposing deception.
Determination:Success depends upon persistence in the face of obstacles and uncertainty.
Suspense Beyond the Clues
The novel does not rely solely on deduction. Dangerous encounters, tense confrontations, and unexpected developments add excitement to the narrative. Carter frequently finds himself facing risks that extend beyond intellectual challenges, creating a balance between mystery and adventure.
This combination helped make the Nick Carter stories popular with readers seeking both action and intrigue.
A Snapshot of Classic Detective Fiction
Written during the era of pulp detective adventures, the novel reflects the storytelling traditions that shaped popular crime fiction. Clever investigators, elusive criminals, and steadily escalating suspense were key ingredients in the genre's success. Nick Carter became one of its defining heroes, admired for his intelligence and unwavering commitment to solving difficult cases.
His adventures influenced countless detective stories that followed.
What Keeps Readers Turning the Pages?
A challenging mystery with numerous twists.A resourceful detective who relies on logic and observation.A blend of action, suspense, and investigation.A satisfying exploration of crime and its consequences.
When the Reckoning Arrives
Paying the Pricedelivers a compelling detective adventure built around the idea that every choice carries consequences. Through a combination of careful investigation, suspenseful developments, and engaging characters, the novel showcases the enduring appeal of Nick Carter's world. For readers who enjoy classic mysteries where justice ultimately prevails, it remains an entertaining and representative example of early detective fiction.
THE RECTORY MURDER.
Nick Carter paused only a moment before replying. He took that one moment to consider the other strange matter that had brought him to Washington, and whether compliance with the request just made by the chief of police would seriously interfere with it. He decided that it would not, and he then said quite gravely:
“Why, yes, I will go with Detective Fallon, since you both press me so earnestly. It is barely possible, chief, as you say, that I may detect something that would escape his notice. Who is the victim of the crime, if such it proves to be?”
“There is no question about that, Nick,” said the chief. “The murdered man is the Reverend Father Cleary, of the St. Lawrence Church. He was found dead on the floor of his library in the rectory, which adjoins the church, about half an hour ago.”
“A Roman Catholic priest, eh?”
“Yes.”
“What do you know about it?”
“Very little. I was notified by telephone. I directed that nothing should be touched, nor anything said about the crime before I began an investigation. I sent two policemen to take charge in the rectory until I could get word to Detective Fallon. He is the best man on my force for such a job.”
“But I am not in your class, Nick; far from it,” put in Fallon, who was an erect, dark man of forty, with a rather grave and resolute type of face. “You are in a class of your own, Carter, as far as that goes.”
“Cut it!” said the chief tersely. “Chucking violets is a waste of time. Fallon will tell you all that is known, Nick, while you are on the road. My car and chauffeur are outside. Take it, Fallon, and let me hear from
{3}
you. You have carte blanche, Nick. Dig into the matter in your own peculiar way.”
“I will see what I make of it,” Nick replied, turning to accompany Fallon from the police headquarters.
It then was about half past eight on the first day of November, and the famous New York detective was in Washington on other business, the nature of which will presently appear. He knew it could wait, however, and he was not averse to complying with the urgent request of the local police chief, who, in as serious a case as had been reported to him, was more than eager to secure the aid and advice of the celebrated detective.
Nick took a seat with Fallon in the tonneau of the touring car, the latter having hurriedly given the chauffeur his instructions.
“We can run out there in ten minutes, Nick,” he added, when the detective banged the door and sat down.
“The St. Lawrence Church, eh?” queried Nick, gazing at him. “I don’t recall having seen it.”
“It is a new one,” said Fallon. “It was built only a year ago. It is pretty well out and not in a wealthy and fashionable section of the city. Father Cleary is a comparatively young priest, not over forty, and is known for the good work he has done in the slums. He will be sadly missed in the low districts.”
“Were you acquainted with him?” Nick inquired.
“Yes, slightly.”
“How long has he been in Washington?”
“About three years,” said Fallon. “You were here about a month ago, by the way, on that government case against several foreign spies. I heard of it after you left. I was sorry not to have seen you.”
“I was here only a couple of days with two of my assistants,” Nick replied. “We were fortunate in speedily rounding up the miscreants, barring one.”
“You refer to Andy Margate, I suppose.”
“Yes. The net still is spread for him, however, and the
{4}
others now are doing time. Margate was not one of the spies. With the help of two local crooks, he turned a trick on the foreigners that proved to be much to my advantage.”
“You refer to Larry Trent and Tom Carney?”
“Yes.”
“Both are bad eggs,” said Fallon. “I have known them from ’way back. Trent is the worse of the two, for he is better educated and came from decent people.”
“So I have heard.”
“He has a sister, Lottie Trent, who is an honest and industrious girl. She’s employed as a stenographer in an office in the war department. I knew her parents, also, who have been dead for several years. By the way, Nick, there was mighty little published about the true inwardness of that foreign-spy case. They went up without a legal fight, even.”
“There was no fight coming to them,” said Nick dryly. “They had no defense. I clinched the case against them, including Captain Casper Dillon.”
“But the bottom facts were nearly all suppressed.”
“Yes, all of the bottom facts,” Nick allowed, smiling significantly.
“It is hinted, nevertheless, that Senator Barclay and a young government engineer in the war department, one Harold Garland, were somewhat involved in the matter,” said Fallon. “Is that true?”
“Really, Fallon, I cannot say,” said Nick, still smiling.
Detective Fallon laughed lightly, knowing well enough that Nick could have informed him concerning every part of the case, if so inclined. He took no exceptions to his reticence, however, and inquired, after a moment:
“Is there any clew to Margate’s whereabouts?”
“Not that I know of,” Nick admitted. “The police throughout the country are on the watch for him. He is a very keen, crafty, and elusive fellow, however, and is better known in Europe, where he has done most of his knavish work. But we shall get him, Fallon, sooner or later. If——”
“Here we are,” Fallon interrupted. “There is the church.”
The touring car had turned a corner, bringing the sacred edifice into view. It occupied the corner beyond and stood somewhat back from the street, both front and side. In the rear, fronting on the side street, was the dwelling occupied by Father Cleary, whose only servant was an elderly housekeeper, one Honora Kane, who had been a widow many years.
The church, the rectory, and the surrounding grounds extended back to the next street, from which they were divided by a stone wall, the rear grounds being adorned with several old shade trees, the wide-spreading branches of which mingled with those in the side grounds of the adjoining estate.
Nick took in all these features of the scene while approaching the rectory, on the sidewalk in front of which a policeman was pacing to and fro. He touched his helmet when Fallon sprang from the car, but evidently he did not know the face of the more famous detective.
“What has been done, Bagley?” asked Fallon, pausing briefly.
“Nothing, sir, except to keep it quiet,” said the policeman. “We have been waiting for you. Grady is inside.”
“We’ll go in,” said Fallon.
{5}
“One moment,” Nick interposed, detaining him. “The murder has not leaked out, Bagley, I take it?”
“No, sir.”
“I see that there are no inquisitive people hanging around here. Have you seen any one, by the way, who appeared to have an interest in the place?”
“No, sir; I have not.”
“That’s all, Bagley; thank you.”
“I see the point, Nick,” Fallon remarked, as they entered the grounds fronting the rectory.
“Holy smoke!” Bagley muttered, starting after them. “That must be Nick Carter. Great guns! there’ll be nothing to the case, if he is on it.”
The two detectives were admitted to the hall by a pale young woman in a calico wrapper and a long gingham apron. Her tear-filled eyes, together with the low moans and sobs of a corpulent woman in an adjoining room, evinced the grief and distress of both.
“Let me take the ribbons, Fallon,” Nick said quietly. “We may go over the traces if we drive too fast.”
Fallon readily acquiesced, and Nick paused and questioned the woman who had admitted them.
He learned that her name was Margaret Dawson; that she was the nearest neighbor to the rectory, and that she had hurried to assist Mrs. Kane, the housekeeper, upon learning her cries when she discovered the terrible crime.
“Nora was nearly out of her bed, sir, and didn’t know what to do,” she explained. “So I telephoned to the police station, sir, and was told to let things alone till the officers came. That was not long, sir, and nothing has been touched, not even Father Cleary’s body. An officer is in the library, sir, where it’s lying.”
“Mrs. Kane is the only servant?” questioned Nick, glancing at the sobbing woman in the adjoining room.
“Yes, sir. She is quite deaf, sir, and heard no disturbance during the night. She went to bed before nine o’clock last evening, leaving Father Cleary alone in the library.”
“She has told you this?”
“Yes, sir. The library door was closed when she came down this morning to get breakfast, but she did not think of anything wrong on that account. When the meal was nearly ready, however, she went up to call Father Cleary and found his room had not been used. Then she came down to the library, sir, and discovered what had been done.”
Seeing the housekeeper gazing anxiously at him, Nick entered the room and briefly questioned her. She could tell him only that Father Cleary had had no visitors early in the evening, and that he expected none, as far as she knew, and that he had not lately appeared at all troubled, or in any way apprehensive.
That was about all that the elderly housekeeper could tell him, and Nick turned to the waiting detective.
“She is too deaf to have heard any disturbance in the library, Fallon, after having gone to her bedroom,” he said quietly, with a gesture directing the two women to remain in the front room.
“Yes, surely,” Fallon agreed.
“Come. We will go into the library.”
Nick led the way through the dim, simply furnished hall. He passed a passageway leading to a side door. Beyond it was the library, in the east side of the house, with a dining room nearly opposite across the hall, and a kitchen and porch in the rear.
{6}
The door of the library was then open. A policeman who had heard them enter had stepped into the hall and was waiting for them.
“One moment, Fallon,” said Nick. “What has been done in this room, Grady, since the crime was discovered.”
“Nothing, sir,” said the policeman, gazing curiously at him. “Both women say they have not entered the room, though the housekeeper opened this door. I have disturbed nothing. Things are just as I found them.”
“Very good.”
Nick paused on the threshold of the open door and studied with searching scrutiny the tragic scene that met his gaze.
THE RECTORY MURDER. Nick Carter paused only a moment before replying. He took that one moment to consider the other strange matter that had brought him to Washington, and whether compliance with the r…
CONFLICTING EVIDENCE. The library was a square room of moderate size, comfortably, though simply furnished. An open desk stood against one of the walls, with a rise of shelves on each side, partly fil…
THE MYSTERIOUS BANDAGE. The first thing to catch Nick Carter’s eye after stepping out on the veranda was a strip of white cotton cloth, also a piece of common white string, both lying on the veranda f…
A CONNECTING LINK. Nick Carter had spent much less time at the St. Lawrence rectory than one might infer from the nature and extent of his investigations. He had covered the ground rapidly, despite th…
IN THE TOILS. It was noon when Nick Carter entered the vast building on Pennsylvania Avenue, in which the state, war, and navy departments of the nation are located. Nick proceeded at once to the west…
HOW NICK SIZED UP THE CASE. Ten o’clock the following morning found three persons seated in Harold Garland’s apartments in the Grayling—Nick Carter and his two assistants, Chick Carter and Patsy Garva…
NICK CARTER’S VENTURE. Nick Carter’s project was a daring one, even though ventured against crooks of ordinary caliber. Against as lawless, determined, and desperate a knave as Andy Margate, who, if N…
CAUGHT IN A BOX. Nick Carter gazed for a moment without speaking. The face of the knave peering in at him wore an expression the detective did not fancy. Mingled malice, merciless hatred, and vicious …
BETWEEN TWO FIRES. Chick Carter and Patsy Garvan, though this case was one in which nearly all of the work had devolved upon Nick Carter himself, were not idle while their chief was engaged as describ…
STRANGE PRECAUTIONS. While Grail was shaving, at that two-minute gait which, once acquired at West Point, is never forgotten, a sudden suggestion came to him, and he laid down his razor to draft out o…

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