The Mysterious Affair at Styles
Under Three Flags
Ali Pacha
Adventures of Huckleberry Finn
Topsy-Turvy or The Purchase of the North Pole
The King's Own Borderers: A Military Romance, Volume 1 (of 3)
The Storming of a Fortress That Changed History Forever
Taking the BastilebyAlexandre Dumasis a vivid historical narrative recounting one of the defining moments of the French Revolution: the fall of the Bastille on July 14, 1789. Combining political tension, public anger, dramatic action, and emotional intensity, Dumas transforms the revolutionary uprising into a powerful story of collective fear, resistance, and historical transformation.
The work captures not only the event itself, but also the emotional atmosphere surrounding a society on the edge of collapse.
Paris Rises Against Royal Authority
As economic hardship, political frustration, and public resentment spread across France, tension within Paris grows increasingly explosive. Rumors of military repression and royal retaliation push ordinary citizens toward panic and organized resistance.
The Bastille, a massive fortress-prison associated with royal power and political oppression, becomes a symbolic target for revolutionary anger.
Crowds gather in the streets demanding weapons, justice, and protection against perceived tyranny.
The confrontation gradually escalates into violence as armed citizens move against the fortress and its defenders.
Dumas portrays the uprising as chaotic, emotional, heroic, and terrifying all at once.
The Figures Within the Revolutionary Uprising
The Parisian Crowds: Citizens driven by anger, fear, desperation, and revolutionary hope.The Defenders of the Bastille: Soldiers and officials attempting to preserve order and royal authority.The Revolutionary Agitators and Leaders: Figures encouraging resistance and political transformation.The Ordinary Witnesses: Individuals caught between fear, confusion, and historical change.
The emotional energy of the crowd becomes one of the narrative’s most powerful forces.
Revolution as Both Hope and Violence
One of the work’s strongest ideas is that revolutions emerge from accumulated frustration and emotional pressure long before violence finally erupts. Dumas portrays the storming of the Bastille as both symbolic liberation and frightening social upheaval.
The crowd appears capable of extraordinary courage as well as uncontrolled fury.
The narrative repeatedly emphasizes how quickly political tension can transform into irreversible historical action.
The fall of the fortress becomes symbolic of an entire old order beginning to collapse.
Major Themes Running Through the Narrative
Revolution and Social Change: Public unrest transforms political dissatisfaction into open resistance.Power and Oppression: The Bastille symbolizes royal authority and fear.Collective Emotion and Violence: Crowds become powerful historical forces driven by hope and anger.History and Transformation: A single event reshapes the future of France and Europe.
Dumas’s Passionate Revolutionary Storytelling
Taking the Bastiledemonstrates Alexandre Dumas’s talent for bringing historical events to life through emotional immediacy and dramatic atmosphere. Rather than treating history as distant fact, he presents revolution as lived human experience filled with fear, excitement, uncertainty, and danger.
The pacing intensifies steadily as tension in Paris builds toward explosive confrontation.
Dumas captures both the grandeur and the instability of revolutionary action.
Why the Work Still Feels Important
Modern readers continue findingTaking the Bastilecompelling because the storming of the Bastille remains one of history’s most powerful symbols of rebellion against oppression.
The themes of public anger, political transformation, mass protest, and revolutionary violence continue resonating strongly across modern societies.
For readers interested in the French Revolution, political history, revolutionary movements, and dramatic historical storytelling, this work remains energetic, emotionally charged, and historically fascinating.
THE SON OF GILBERT.
It was a winter night, and the ground around Paris was covered with snow, although the flakes had ceased to fall since some hours.
Spite of the cold and the darkness, a young man, wrapped in a mantle so voluminous as to hide a babe in his arms, strode over the white fields out of the town of Villers Cotterets, in the woods, eighteen leagues from the capital, which he had reached by the stage-coach, towards a hamlet called Haramont. His assured step seemed to indicate that he had previously gone this road.
Soon above him streaked the leafless boughs upon the grey sky. The sharp air, the odor of the oaks, the icicles and beads on the tips of branches, all appealed to the poetry in the wanderer.
Through the clumps he looked for the village spire and the blue smoke of the chimneys, filtering from the cottages through the natural trellis of the limbs.
It was dawn when he crossed a brook, bordered with yellow cress and frozen vines, and at the first hovel asked for the laborer's boy to take him to Madeline Pitou's home.
Mute and attentive, not so dull as most of their kind, the children sprang up and staring at the stranger, led him by the hand to a rather large and good-looking cottage, on the bank of the rivulet running by most of the dwellings.
A plank served as a bridge.
"There," said one of the guides nodding his head towards it.
Gilbert gave them a coin, which made their eyes open still
[Pg 4]
more widely, and crossed the board to the door which he pushed open, while the children, taking one another's hand, started with all their might at the handsome gentleman in a brown cloth coat, buckled shoes and large cloak, who wanted to find Madeline Pitou.
Apart from them, Gilbert, for such was the young man's name, simply so for he had no other, saw no living things: Haramont was the deserted village he was seeking.
As soon as the door was open, his sight was struck by a scene full of charm, for almost anybody, and particularly for a young philosopher like our roamer.
A robust peasant woman was suckling a baby, while another child, a sturdy boy of four or five, was saying a prayer in a loud voice.
In the chimney corner, near a window or rather a hole in the wall in which was stuck a pane of glass, another woman, going on for thirty-five or six, was spinning, with a stool under her feet, and a fat poodle on an end of this stool.
Catching sight of the visitor the dog barked in a civil and hospitable manner just to show that he had not been caught napping. The praying boy turned, cutting the devotional phrase in two, and both females uttered an exclamation between joy and surprise.
"I greet you, good mother Madeline," said Gilbert with a smile.
"The gentleman has my name," she cried out with a start.
"As you notice; but please do not interrupt me. Instead of one babe at the breast, you are to have the pair."
In the rude country-made crib he laid his burden, a little boy.
What a pretty darling!" ejaculated the spinner.
"Quite a dear, yes, Aunt Angelique," said Madeline.
"Your sister?" inquired the visitor, pointing to the spinner who was also a spinster.
"No my man's sister."
"Yes, my auntie, my aunt 'Gelique," mumbled the boy, striking into the talk without being asked.
"Be quiet, Ange," rebuked his mother: "you are interrupting the gentleman."
[Pg 5]
"My business is very plain, good woman. The child you see is son of one of my master's farmers, the farmer being ruined. My master, his godfather, wants him brought up in the country to become a good workman, hale, and with good manners. Will you undertake this rearing?"
"But, master?——"
"Born yesterday and never nursed," went on Gilbert. Besides, this is the nursling which Master Niquet, the lawyer at Villers Cotterets, spoke to you about."
Madeline instantly seized the babe and supplied it with the nourishment it craved with a generous impetuosity deeply affecting the young man.
"I have not been misled," said he: "you are a good woman. In my master's name, I confide the child to you. I see that he will fare well here, and I trust he will bring into this cabin a dream of happiness together with his own. How much does Master Niquet pay you for his children?"
"Twelve livres a-month, sir: but he is rich, and he adds a few pieces for sugar and toys."
"Mother Madeline," replied Gilbert proudly, "this child will bring you twenty livres a-month, or two hundred and forty a-year."
"Lord bless us! I thank you kindly, master," said the peasant.
"And here is the first year's money down on the nail," went on Gilbert, placing ten fine gold coins on the table, which made the two women open their eyes and little Ange Pitou stretch out his devastating hand.
"But if the little thing should not live?" queried the nurse timidly.
"It would be a great blow—such a misfortune as seldom happens," responded the gentleman; "Here is the hire settled—are you satisfied?"
"Oh, yes, sir."
"Let us now pass to the future payments."
"Then we are to keep the child?"
"Probably, and be parents to it," said Gilbert, in a stifled voice and losing color.
"Dear, dear, is he an outcast?"
[Pg 6]
Gilbert had not expected such feeling and questions: but he recovered from the emotion.
"I did not tell you the whole truth," he said; "the poor father died on the shock of hearing that his wife gave up her life in bearing him the child."
The women wrung their hands with sympathy.
"So that the child can reckon on no love from his parents," continued Gilbert, breathing painfully.
At this point in tramped Daddy Pitou with a calm and jolly manner. His was one of those round and honest characters, overflowing with health and good will, such as Greuze paints in his natural domestic pictures. A few words showed him how matters stood. Out of good nature he understood things—even those beyond his comprehension.
Gilbert made it clear that the keep-money would be paid until the boy was a man and able to live alone with his mind and arm.
"All right," said Pitou, "I rather think we shall take to the kid, though he is a tiny creature."
"Look at that," said the women together, "he thinks it a little dear just like us."
"I should like you to come over to Master Niquet's where I will leave the money required so that you may be content and the child happy."
Gilbert took leave of the women and bent over the cradle in which the new-comer had ousted the rightful heir. He wore a sombre air.
"You look little like me," he muttered, "for you have the aspect of your proud mother, the aristocratic Andrea, daughter of Baron Taverney."
The trait broke his heart: he pressed his nails into his flesh to keep down the tears flowing from his aching breast. He left a kiss timid and tremulous on the babe's fresh cheek and tottered out. He gave half a louis to little Ange, who was stumbling between his legs, and shook hands with the women who thought it an honor. So many emotions oppressed the father of eighteen years that little more would have prostrated him. Pale and nervous, his brain was spinning.
"Let us be off," he said to Pitou, waiting on the sill.
[Pg 7]
"Master!" called out Madeline from the threshold: "his name—what did you say his name is?"
"Call him Gilbert," replied the young man with manly pride.
The business at the notary's was quickly done. Money was banked for the child's keep and bringing up as became a farmhand's offspring. For fifteen years education and training was to be given him, and the balance was to be devoted to fitting him in a trade or buying a plot of land. At his eighteenth year some two thousand livres were to be paid the nurse and her husband, who would have the other sum yearly from the intermediary.
As a reward Niquet was to have the interest of the funds.
Ten years passed and the Pitou woman, who had lost her husband while Ange was hardly able to remember him, felt herself dying. Three years before she had seen Gilbert, returned a man of twenty-seven, stiff, dogmatic of speech, cold at the outset. But his mask of ice thawed when he saw his son again, hearty, smiling and strong, brought up as he had planned. He shook the good widow's hand and said:
"Rely on me if ever in need."
He took the child away, went to see the tomb of Rousseau the philosopher, musician and poet, and returned to Villers Cotterets. Seduced by the good air and the praise of the Abbe Fortier's school for youth, he left Gilbert at that institution. He had thought highly of the tutor's philosophical mien; for philosophy was a great power at this revolutionary period and had glided into the bosom of the Church. He left him his address and departed for Paris.
Ange Pitou's mother knew these particulars.
At her dying hour she remembered the pledge of Gilbert to be the friend at need. It was a bright light. No doubt Providence had brought him to Haramont to provide poor Pitou with more than he lost in losing life and family.
Not able to write, she sent for the parish priest, who wrote a letter for her, and this was given to Abbe Fortier to be sent off by the post.
It was time, for she died next day.
[Pg 8]
THE SON OF GILBERT. It was a winter night, and the ground around Paris was covered with snow, although the flakes had ceased to fall since some hours. Spite of the cold and the darkness, a young man, …
ANGE PITOU. Ange was too young to feel the whole extent of his loss: but he divined that the angel of the hearth had vanished: and when the body was taken to the churchyard and interred, he sat down b…
A REVOLUTIONARY FARMER. The departure of his aunt gave Pitou a quarter of an hour in tranquillity. He wanted to utilize it. He gathered the crumbs of his aunt's meal to feed his lizards (he was a…
LONG LEGS ARE GOOD FOR RUNNING IF NOT FOR DANCING. Mistress Billet was a fat woman who honored her husband, delighted in her daughter and fed her field hands as no other housewife did for miles around…
WHY THE POLICE AGENT CAME WITH THE CONSTABLES. About six that morning a police-agent from the capital, accompanied by two inferior policemen, had arrived at Villers Cotterets where they presented them…
ON THE ROAD. Pitou was spurred by the two most powerful emotions in the world, love and fear. Panic bade him take care of himself as he would be arrested and perhaps flogged; love in Catherine's …
THE FIRST BLOOD. Night was thickening as the two travelers reached La Villette, a suburb of Paris. A great flame rose before them. Billet pointed out the ruddy glare. "They are troops camping out…
PITOU DISCOVERS HE IS BRAVE. The street appeared void and lonesome to Billet and his friend because the cavalry in chase of the Hyers, had gone through the market and scattered after them in the side …
"TO THE BASTILE!" Once on the river edge, the two countrymen, spying arms glitter on the Tuileries Bridge, in all probability, not in friendly hands, lay down in the grass beneath the trees,…
BLOWING HOT AND COLD. It was on the morning of the fourteenth of July that Billet opened oratorical fire against the monument which had for five centuries weighed like an incubus on the breast of Fran…

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